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"F-U-N!!"

Written By: Enamoured

This is much more fun than Galang! I really dig the beats in this one!

"Never came"

Written By: Jennifer H. Coleman

It wasn't the sellers fault that I didn't get this package. It was the postal services fault. So I can't review this product, because I never got it.

"m.i.a."

Written By: M. Martin

i dont think there are any or enough drugs that could make me enjoy this disc. "paper planes" of course is a hit, but even that gets played out.

"eh... Too many inert ingredients. Clip seven track to make a decent EP..."

Written By: Erik A. Smith

Overall, this is seriously bland. This album has few bright spots- the brightest of which, "Paper Planes", leaves all other tracks in the dust.

This could've easily been a fairly solid EP of 5 tracks, but as a 12-track album, this is desperately lacking substance. Desperately. It appears as though she rushed this release to take advantage of the hype brought by her debut.

Disappointing.

"Kala... (3.5)"

Written By: Zen Station

M.I.A.'s sophomore album "Kala" continues some of what people knew her to be during the first album. This is still dance stuff, filled with certain samples that range from monotonous to interesting, with all kinds of tracks. And what separates her from many at times is the bigger use of world/tribal sounds at times. I am not as big on this album as others but it doesn't mean that they're wrong or anything.

The "low" (for some) rating has more to do with it being a mixed bag for my money than anything else. It's an album where a lot of the more listenable moments come later rather than in the first half. "Paper Planes" is understandably the hit here, with a sample of the Clash's guitars and awesome gunshots used in the chorus. The sound effects actually turn out clever, way more interesting than what you'd hear on a lot of hip-hop records. Add that with the Timbaland production "Come Around" and you get a nice two-punch for the album. It's probably more streamlined sounding than the rest of the record, although since she intended to enlist him the record would have perhaps sounded more like this. However, the end result is probably a lot more unique. You gotta dig the synths on "XR2" as well as it's catchy lyrics. For me it's like this album's "Bucky". But there's good enough songs at the first half, like "Hussel" which uses the tribal beat thing to a good measure. "Bamboo Banga" is a nice way to kick off the album.

There's some stuff I don't really like all that much, like the many guests (kids, in particular) rapping on "Mango Pickle Down River," which lacks a lot of direction, but I suppose this remix was intended for the album's use. If there's a track I skip here it's probably this one. It's an unpopular opinion but I'm not really big on the whole with the kind of redundant ideas on "Boyz" and "Bird Flu" which kind of give me a headache after three minutes or so. Some people like those, just not myself. And some stuff is kind of just there. I like that she interpolated "Where Is My Mind" for a song but unforunately that song ("20 Dollar") is kind of boring.

It is sold pretty cheap so even if you hate it there wouldn't be too big a fuss for getting it. And I do recommend "Kala" on the whole. For me it doesn't always hit but sometimes it does, and enough to keep your attention.