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"Emmanuelle BĂ©art is the quintessence of a beautiful woman"

Written By: Timothy D. Naegele

"La Belle Noiseuse" is a lovely four-hour film about an artist and his model, and men and women. Emmanuelle Bart is the very essence of a beautiful woman. To watch her in this film must be difficult for women, because of her striking natural beauty and grace. Few if any would measure up, worldwide.

Such a film could never be made by the American studios because of its length and painstaking attention to detail, as the aging artist--played magnificently by Michel Piccoli--attempts to create his "masterpiece," one stroke at a time. The film has an intermission, which would seem to have been vital when it was screened in French cinemas and elsewhere.

To watch two DVDs, and take time to do so, underscores the brilliance of so many French films over the years. The supporting cast members are terrific too, all of them. The only reason for four rather than five stars is because its length will not enthrall everyone, but it is well worth watching from beginning to end, and then watching the special features that come with the DVDs.

"Pretentious yes - but it is a work of art"

Written By: S J Buck

This loses a star for its sheer length, at 229 minutes its too long. As with a lot of French films I found the beginning very slow. Nothing really seemed to happen in the first 1/2 to 3/4s of an hour. Others will probably rightly say that all this is character development...

However, don't let the above put you off, because actually its a rewarding film on many levels. If you are interested in art then the film will fascinate you. The scenes with the artist and his model are engrossing and even more engrossing for me was watching the creation of the art. You actually see, for minutes at a time, drawing with ink, and charcoal, as well as the frustration of the artist and the magic of creation.

Of course this is also an erotic movie. Emmanuelle Beart as Marianne is a stunning looking art model who is physically manipulated by Frenhofer, the artist, to try and capture something that he never completed when painting his wife ten years earlier.

The story is slight, and yes pretentious, but in the end rewarding, as at the end there are a number of surprises, which neatly tie all the loose ends together. You may like me not appreciate or understand the ending initially, but the revelation ocurred to me the next day and everything fell into place.

"La belle noiseuse "

Written By: Richard Brower

Too much boring talk from the artist, in what could have been an interesting story. But with a totally naked Emanuelle Beart hanging around, what man would dare to complain?

"Despite its length and lingering pace, an astonishing film about the artistic process.."

Written By: G. Merritt

French New Wave director Jacques Rivette is considered to be even more experimental than Jean-Luc Godard. His films are characterized by long running times (Out 1, for instance, has a 750-minute running time) and plots that unfold in unconventional ways. Based on Honor de Balzac's short story, "The Unknown Masterpiece," La Belle Noiseuse has a running time of 240 minutes. It tells the story of a gifted and reclusive artist Edouard Frenhofer (Michel Piccoli) who lives with his wife and former model (French icon Jane Birkin) in a quiet ch˘teau in rural Provence. Frenhofer is inspired to return to an unfinished painting, "La Belle Noiseuse," using a visiting writer (beautiful Emmanuelle Bart) as his model. Despite its unusual length and lingering pace, that's the film's entire plot. However, Rivette's film is ultimately about the artistic process, the relationship between an artist and his muse, and the artist's temperament, which make La Belle Noiseuse such an astonishing film.

G. Merritt

"Art Work"

Written By: Archmaker

This very very French film about an aging artist finding renewal and inspiration in painting a beautiful and difficult young woman is probably the most detailed depiction of the creative process and the interaction between artist and model ever attempted. You may find it overlong and boring or completely fascinating, depending upon your patience with the leisurely pace and the oh so French talk about relationships, metaphysics and whatnot.

I found no such boredom in watching the difficulty of creation because of the fine portrayal by Michel Piccoli of the irrascible and tasking artist but even more so by the object of his interest, the exquisite work of art that is Beart. If a couple of hours of viewing the divine Emanuelle in the nude is too much for you, so be it, but it'll do for me. Interestingly, the long exposure of her beautiful body allows the viewer to begin to see her as the artist does, as shape and texture, surfaces, planes and form. There is also the effect of the artist's invasive exposure and objectification upon the subject. This is the central fascination of this film, less so the cryptic and enigmatic dialogue. The artist and model struggle and the outcome of the struggle is change and re-examination for both. Something different for those who like different.